Looking at Sarah Crowner’s work for the first time, even through a computer screen, my first thought was, “oh, my goodness, it’s alive.” I wasn’t even entirely sure where that thought came from. At firstRead More
Amna Asghar is, in many ways, exactly what you’d expect after looking at and reading about her work. She’s funny, focused, and engaged. She occupies both a very academic space—the product of a graduate degreeRead More
As a fairly regular gallery visitor (and former gallery worker), I’m the first to confess that I don’t usually think about gallery spaces as ones designated for business. I think of them as a placeRead More
When you consider that Eleanor Heartney has had incredible success framing the world– the art world, specifically– in terms of the end of days, it’s remarkable how cheerful and optimistic she is. She acknowledges thisRead More
Meeting with Kenny Schacter is kind of like shotgunning three of those canned Starbucks energy drinks and then walking into an art gallery: enthusiastically high-octane, nonstop, and buzzing with a true, deep fascination for everyRead More
At first glance, Andrew Brischler’s work appears formulaic. Several of his pieces carry over motifs from one to the next. Some of his series appear to be the same pattern, repeated from piece to piece,Read More
Throughout history, the essentialism of art has only been confirmed, as iconoclasm seeks to destroy it. Art is, at its very core, the expression of creativity, the representation of a mindset, the representation of anRead More
I’d say welcome to New York, and maybe start singing a Taylor Swift song in your general direction, but this semester’s going to be virtual. Which, I suppose, means that I’m going to be documentingRead More